The
use of semiotics is a crucial part of graphic design, essentially
every piece of design has an intended purpose and therefore will have
certain aspects that put whatever the point is across using the
language of signs and signifiers, even in the subtlest ways. Roland
Barthes was a pioneer in semiotics and devised many theories that
form the base for our understanding of signs and signifiers as a
means of language, stating that objects can have connotations as well
as denotations, highlighting the concept of the use of visuals for
more than one meaning and this in itself is a huge part of design on
the whole. For example if a promotion for a bottled water company
uses imagery of a spring, then the denotation is the obvious use of
water, and the subsequent connotations of this image are the fact
that spring water is known to be naturally clean and pure, so this
represents the content of the water company, this technique can be
interpreted into many different styles of design, from the use of
colour to express feeling to using language to incur meaning. As a
designer I find playing around with different possible
interpretations of my work as essentially the way in which it is
received is the crucial part of designs being, and finding different
techniques and methods of inducing connotation is an integral part of
every design process.
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